![]() It is also a prototype of a “one man band” with bass and chords on the left-hand side and buttons for the melody on the right, and you could still sing along and beat the rhythm with your feet. It could easily be heard even in the wildest pub above the stomping of dancing feet. First of all, it was much louder than all the other folk instruments. This new instrument’s popularity among the common masses was a result of its unique qualities. The comment made about New York Excelsior finishing Italian made accordions is not true. ![]() Again, your instruments must be Italian made and if there is a difference between treble and bass quality, then there could be reed changing that went on. From the onset of its creation, the accordion started to conquer Europe, later spreading around the world.Įxcept for a brief time during the 1830s and 1840s when the accordion was heard by French aristocracy during Salon music concerts, the instrument has always been associated with common people. New York Excelsior reed sets were made by Bugari and by ‘set’ I mean treble and bass. He called it the Hanaoline, but in 1829, Cyrillus Damian of Vienna created another version of the instrument and gave it the name accordion because of the addition of buttons, played by the left hand that sounded chords. The accordion was invented by Friedrich Buschmann in 1822 in Berlin.
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